Fig. 1. Reservoir Dogs poster.
Quentin Tarantino’s Reservoir
Dogs (1992) is a great debut from Tarantino, it is filled with excessive
blood and swearing, truly a film pumped with male testosterone. Tarantino has
an interesting way of telling his story to the audience which creates
emotionally connections to characters that otherwise wouldn’t have existed.
Packed with lots of great scenes, which include a horrific torture scene that
is made to feel somewhat comical, a flashback that becomes almost dreamlike and
an emotional ending, it is definitely a film that will keep you interested.
Fig. 2. The group still.
Tarantino tells this film in a non-linear fashion, the
story is based around a group of robbers that perform a heist that goes very
wrong, leaving a few of them dead and one seriously injured. Tarantino starts
us off with a pre heist breakfast; during this there is a scene in which the
group of men have a conversation, straight after we are transported to a scene
in a car with Mr White and Mr Orange, Mr Orange has been shot and is seriously
wounded. At this point as a viewer, you are left to assume what has happened,
it is possible that this cut up effect makes you more interested as you want to
find out what has happened. As Billson points out in her review ‘the film fills in vital information via an
assortment of flashbacks. This is an ambitious structure, but Tarantino pulls
it off with panache.’ (Billson, 2014). Billson suggests that Tarantino’s
method of using flashbacks to give important story information is a difficult
achievement to accomplish, however Tarantino pulls it off with a bang. Using
the flashbacks to give information to the viewer allows Tarantino to give it in
an order that makes your opinion of certain characters different, as opposed to
telling the story in chronological order. This has a huge impact on the
connection you have with Mr Orange, who is later revealed to be an undercover
cop.
Fig. 3. Torture still.
A scene which is very intriguing is the one in which Mr
Blonde, the psychopath of the group, tortures a police officer in the
warehouse. This scene is interesting because Tarantino makes something that
should be very disturbing and uncomfortable, quite artistic and almost light
humoured. As Thompson states in his review ‘While
a radio plays a bad song from an FM ''Sounds of the '70s" retrospective (a
running joke here), Mr. Blonde begins dancing, singing and brandishing his
implements of torture - a razor, a can of gasoline, a lighter. He then begins
to mutilate his victim.’ (Thompson, 2013). Thompson points out the events
that create the light hearted mood for what should have been a much more
disturbing scene, in this case clever use of sound design and the delightful
acting from Michael Madsen created an artful scene that isn’t easily forgotten.
Tarantino does an excellent job at creating a fully
resolved film that feels complete without ever showing the heist. The film is
packed out with clever dialogue and a handful of flashbacks that fill in the
gaps for the audience, so by the end of the film you feel as if you had
witnessed the heist. As Russell points out in her review ‘With a surprise or two in store, Reservoir Dogs revolves around a heist
that we never see taking place. It`s an intentional oversight that the filmgoer
might not notice until long after this emotionally draining movie is over.’
(Russell, 2013). Russell suggests that due to the suspense and emotional impact
the film has on the audience, they may end up overlooking the heist not being
shown. This shows Tarantino’s ability to successfully create an interesting and
impactful film on a low budget.
To conclude, Reservoir
Dogs is a great film filled with lots of witty dialogue, blood, violence
and a heap of swearing. It is a director pumping male testosterone into one
room and allowing it to explode. It has great scenes and a broken up story that
leaves you emotionally exhausted and wondering if you should trust your initial
judgements and connections with characters. It is a film that isn’t for the squeamish
but if you can stomach a scene of torture and some blood then it is a highly
recommended piece of art.
Illustration List
Tarantino, Q. (1992). Figure 1. Reservoir Dogs poster. https://cinefilles.files.wordpress.com/2012/12/reservoir-dogs-poster.jpg
(Accessed on 22/03/2015)
Tarantino, Q. (1992). Figure 2. The group still. http://blog.planet5d.com/wp-content/uploads/sites/2/2014/08/walking-in-focal-plane-from-Reservoir-Dogs.png
(Accessed on 22/03/2015)
Tarantino, Q. (1992). Figure 3. Torture still. http://www.liveforfilms.com/wp-content/uploads/2014/07/reservoir-dogs-06.png
(Accessed on 22/03/2015)
Bibliography
Billson, A. (2014). telegraph.co.uk. http://www.telegraph.co.uk/culture/film/filmreviews/11311308/Reservoir-Dogs-review-raw-and-exciting.html
(Accessed on 22/03/2015)
Russell, C. (2013). articles.sun-sentinel.com. http://articles.sun-sentinel.com/1992-11-06/features/9202270898_1_jewelry-heist-joe-cabot-six-robbers
(Accessed on 22/03/2015)
Thompson, G. (2013). articles.philly.com. http://articles.philly.com/1992-10-30/news/25998760_1_informant-andrzej-sekula-fake-names
(Accessed on 22/03/2015)
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