Sunday, 2 November 2014

Jean Cocteau’s La Belle et la Bête (1946) Review





 Fig. 1. La Belle et la Bête poster.

Jean Cocteau’s La Belle et la Bête (1946) is a magical adaptation of Beauty and the Beast, with special effects that of course are dated compared to what we expect from films now, yet somewhat magical and convincing. As Bradshaw mentions ‘Its special effects are prehistoric compared to those of our digital 21st century, and yet they are deeply disturbing. When bodies appear through walls or fly up into the air, it is almost as if Cocteau's camera has miraculously recorded a dream.’ (Bradshaw,2014) Cocteau does a fantastic job at bringing the fairy tale to life with the limited resources available in 1946. Released shortly after World War II it offered French audiences an escape into a fantastical fairy tale.



 Fig. 2. Corridor still.

As Parkinson points out ‘With interiors that owe much to the paintings of Doré and Vermeer’ (Parkinson, 2013) the film owes much of its success to the work of Doré and Vermeer. The interiors embody the magic as much as the beast does, from a long corridor filled with magic hands holding candles to the wandering eyes of the statues (see fig. 2.). It is possible that the Disney adaptation of Beauty and the Beast was hugely inspired by Cocteau’s magical version, Lumière for example is influenced by the corridor scene in Cocteau’s La Belle et la Bête, it’s possible Disney were inspired by the objects coming to life in Beast’s castle as Vice mentions ‘And this magical adaptation of the much-filmed Jean-Marie Leprince de Beaumont tale clearly inspired much of the imagery for the Disney version.’ (Vice, 2007).



 Fig. 3. Beast still.

There is a slight ideology that appearance overall is the most sought after trait, this become apparent when Beast is continuously pleasant and nice to Belle, giving her gifts and making sure she is served like a queen, she however rejects his affection until the end of the film, when he has transformed into a good looking young man. This also seems to ring true when Beast says to Belle "You caress me as you would an animal," to which she replies "But you are an animal,"

Overall this film is a magical take on an old classic that has aged very well, with some beautiful scenes and whimsical effects, it runs for 93 minutes and in that time not one piece of furniture breaks into song. La Belle et la Bête can still to this day provide an escape for reality.


Illustration List:
Cocteau, J. (1946). Figure 1. La Belle et la Bête poster. http://theredlist.com/media/database/settings/cinema/1940-1950/beauty-and-the-beast/039-beauty-and-the-beast-theredlist.jpeg (Accessed on 02/11/14)
Cocteau, J. (1946). Figure 2. Corridor still. http://www.johncoulthart.com/feuilleton/wp-content/uploads/2011/02/hands2.jpg (Accessed on 02/11/14)
Cocteau, J. (1946). Figure 3. Beast still. http://www.alalettre.com/pics/belle-et-bete.jpg (Accessed on 02/11/14)

Bibliography:
Bradshaw, P. (2014). theguardian.com. http://www.theguardian.com/film/2014/jan/02/belle-et-bete-review (Accessed on 02/11/14)
Parkinson, D. (2013). radiotimes.com. http://www.radiotimes.com/film/nbcjr/la-belle-et-la-bte (Accessed on 02/11/14)

1 comment:

  1. Hi Charlie,

    Sorry, I seem to have been neglecting your film reviews...not quite sure how that happened :(

    Anyway, you have started to discuss some interesting points here; now it's time to dig deeper and really start analysing the points you are making. This is where a good choice of quote comes in really handy - make sure the quote really works to support your discussion. You must make sure that you use the quote to develop your discussion, not just repeat what it has said - here for example,

    As Parkinson points out ‘With interiors that owe much to the paintings of Doré and Vermeer’ (Parkinson, 2013) the film owes much of its success to the work of Doré and Vermeer.

    Don't assume your reader knows anything about Doré or Vermeer! What was it about their style of drawing and painting that is reflected in the film? You could also have looked at the concept art, and how that translated into film, for example.

    ReplyDelete